As an editor for the Paris Herald Tribune in the 1960s, filmmaker-photographer Glenn McCurdy discovered the world of legendary French Master, Henri Cartier-Bresson. From then on he became a student of this 'critical moment' philosophy. Soon his free-lance images from Europe began to appear all over America, used to illustrate the feature articles he wrote for the Sunday magazine market. These articles focused on a variety of subjects such as the dropout 'generation' in France; European conmen who preyed on tourists and the comic charisma of a 'typical' Latin lover on the streets of...more
