40.000 x 70.000 cm.
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Painting - Crayons On Paper
H.R. Giger. Giger was a contemporary painter, that he/she knew how to portray as few the erotização as connection of the man to an object, no necessarily human. Their paintings, of a cruel surrealism, portray those phallus projections well that Freud underlined as the man's sign, in industrial objects, weapons, monsters, insects humanóides. It confuses the organic and the mechanic with so much expertise that to distinguish where it begins the meat and it finishes the metal is impossible. It is not atoa that the most famous series of their paintings has for name 'Biomecanóides', where it portrays the promiscuity between man and machine, in a lewdness that reminds us that in the current world, in sex terms, we are all objects.
September 19th, 2009
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