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Beethoven Symphonie No 5

Carl Emanuel Mark

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Beethoven Symphonie No 5  Painting  - Beethoven Symphonie No 5  Fine Art Print
 

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Tags: beethoven symphonie no 5 the image is a synthesis of beethoven's 5th symphony and the book of revelation. paintings, the painting is seen in an apocalyptic context. you hear the symphony's tam paintings, tam paintings, tam paintings, a red earth rolls toward its resolution. upper left is portraying the dramatic end of the beautiful but evil woman jezebel (up. 2: 20-23). the grim beat of time is accompanying. on the upper right you see the revolving door into the unknown. a weak violet light indicates inaccessibility and mystery. paintings, beethoven symphonie no 5 the image is a synthesis of beethoven's 5th symphony and the book of revelation. canvas prints, the painting is seen in an apocalyptic context. you hear the symphony's tam canvas prints, tam canvas prints, tam canvas prints, a red earth rolls toward its resolution. upper left is portraying the dramatic end of the beautiful but evil woman jezebel (up. 2: 20-23). the grim beat of time is accompanying. on the upper right you see the revolving door into the unknown. a weak violet light indicates inaccessibility and mystery. canvas prints

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02/02/2013

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Karlskrona - Sweden

I was really happy and pleasantly surprised by your kind comment. When it is cold outside, it warms the heart.

MOSMAN, NS - Australia

Profound !

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Dimensions

64.000 x 38.500 x 1.500 cm.

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Title

Beethoven Symphonie No 5

Artist

Carl Emanuel Mark

Medium

Painting - Oil Masonite

Description

English
The image is a synthesis of Beethoven's 5th Symphony and the Book of Revelation.
The painting is seen in an apocalyptic context. You hear the symphony's "tam, tam, tam, ta - tam, tam, tam, take." A red earth rolls toward its resolution. Upper left is portraying the dramatic end of the beautiful but evil woman Jezebel (Up. 2: 20-23). The grim beat of time is accompanying. On the upper right you see the revolving door into the unknown. A weak violet light indicates inaccessibility and mystery. Oil/masonite 38,5x64 cm

France
Cet image est une synthčse dʼun côté la symphonie no 5 de Beethoven et de lʼautre lʼApocalypse. De la fin au commencement. La réalité originale et supérieure remplace une réalité inférieure. Lʼabsolu contrastant la relativité.
Lʻimage se trouve dans un contexte apocalyptique.
On peut entendre la musique de Beethoven (dadadadaaa...)
Une terre rouge descend vers sa dissolution sur la falaise de la symphonie.
En haut ā gauche la belle mais méchante Jézebel regarde la fin dramatique.
Des battements dʼailes inexorables et cruels accompagne la musique.
En haut ā droite on voit la porte tournante vers lʼinconnu. Une légčre lumičre violette indique lʼinaccessibilité mystérieuse. Oil on masonite 38,5x64 cm.
Deutsch
Das Bild zeigt eine Synthese aus Beethovens 5.Sinfonie und dem Offenbarungsbuch. Eine untergeordnete, relative Wirklichkeit endet und die ursprüngliche, übergeordnete Wirklichkeit tritt ein. Das Absolute steht gegen das Abstrakte. Das Bild steht in einem apokalyptischen Kontext. Man hört das dadadadaaa der Schicksalssymphonie. Eine rote Erde rollt ihrer Auflösung auf dem schicksalshaften Abhang der 5. Symphonie entgegen. Oben links sieht die schöne, aber böse Frau Jezebel das dramatische Ende. Der unerbittliche und grausame Flügelschlag der Zeit begleitet die Schicksalssynfonie. Oben rechts sieht man sie Schwingtüre in das Unbekannte. Ein schwaches violettes Licht deutet auf die Unerreichbarkeit. Öl/Masonite 38,5x64 cm.
Svenska
Bilden är en syntes mellan Beethovens 5e symfoni och Uppenbarelseboken. Ett slut övergår till något nytt. En underordnad relativ verklighet upphör och den ursprungliga överordnade verkligheten inträder. Det absoluta kontrasterar mot det relativa. Målningen är insatt i ett apokalyptiskt sammanhang. Man hör Ödessymfonins "tam, tam, tam, ta - tam, tam, tam, ta". En röd jord rullar mot sin upplösning i den 5e. symfonins ödesmättade utförsbacke. Uppe till vänster betraktas det dramatiska slutet av den sköna men ondskefulla kvinnan Isebel ( Up. 2: 20-23). Tidens obönhörliga och grymma vingslag ackompanjerar Ödessymfonin. Uppe till höger ser man svängdörren in till det okända. Ett svagt violett ljus antyder oåtkomlighet och mystik. Oil/ masonit 38,5 x64 cm

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January 10th, 2013

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beethoven symphonie no 5 the image is a synthesis of beethoven's 5th symphony and the book of revelation. framed prints, the painting is seen in an apocalyptic context. you hear the symphony's tam framed prints, tam framed prints, tam framed prints, a red earth rolls toward its resolution. upper left is portraying the dramatic end of the beautiful but evil woman jezebel (up. 2: 20-23). the grim beat of time is accompanying. on the upper right you see the revolving door into the unknown. a weak violet light indicates inaccessibility and mystery. framed prints, beethoven symphonie no 5 the image is a synthesis of beethoven's 5th symphony and the book of revelation. greeting cards, the painting is seen in an apocalyptic context. you hear the symphony's tam greeting cards, tam greeting cards, tam greeting cards, a red earth rolls toward its resolution. upper left is portraying the dramatic end of the beautiful but evil woman jezebel (up. 2: 20-23). the grim beat of time is accompanying. on the upper right you see the revolving door into the unknown. a weak violet light indicates inaccessibility and mystery. greeting cards, beethoven symphonie no 5 the image is a synthesis of beethoven's 5th symphony and the book of revelation. prints, the painting is seen in an apocalyptic context. you hear the symphony's tam prints, tam prints, tam prints, a red earth rolls toward its resolution. upper left is portraying the dramatic end of the beautiful but evil woman jezebel (up. 2: 20-23). the grim beat of time is accompanying. on the upper right you see the revolving door into the unknown. a weak violet light indicates inaccessibility and mystery. prints, beethoven symphonie no 5 the image is a synthesis of beethoven's 5th symphony and the book of revelation. posters, the painting is seen in an apocalyptic context. you hear the symphony's tam posters, tam posters, tam posters, a red earth rolls toward its resolution. upper left is portraying the dramatic end of the beautiful but evil woman jezebel (up. 2: 20-23). the grim beat of time is accompanying. on the upper right you see the revolving door into the unknown. a weak violet light indicates inaccessibility and mystery. posters

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