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Group “Ixtlan” (separate reality) considers photograph as the gate to another world, detached reality. The visual language of photograph is deep enough and full with self-sufficient. The luxuriance of the language possibilities only does enfeeble photograph to serve to “isms” of every kind. We are interested in not to implant our personal essence, but in presentative epiphany of new one, sincere sensation, not to manipulate with the spectator feelings, not to construct conсepts, but to see the purity of the vision.
The door of the perception that has been opened by photography leads us to infinity.. We are searching for the way to transfuse hidden weird world by means of the visible ambient reality.
Our motto is: pure photograph like it is – photography of that unidentified!..
“Can be mad or sane, wild or well-behaved: well-behaved if its realism remains relative, tempered by aesthetic or empirical habits (leafing through a magazine at the barber-shop); mad if this realism is absolute, restoring the very letter of Time to the amorous and agonized consciousness: a moment which reverses the course of things and which I call the “photographic ecstasy”. Such are two ways of the Photograph. The choice is mine: to subject its spectacle to the civilized code of perfection illusions, or to confront in it the wakening of able reality”.
Roland Barthes - Camera Lucida