Paul Meijering


#344 of 439


Casey Stoner On Ducati Print

Casey Stoner On Ducati Print By Paul Meijering


Top Mat

Bottom Mat



8.00" x 5.13"


10.00" x 7.13"



Casey Stoner on Ducati by Paul Meijering - 8.00" x 5.13"



Archival Matte Paper



Rolled in a Tube



Assembly Charge





Additional Products

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"Casey Stoner on Ducati" print by Paul Meijering. Ships within 3 - 4 business days and arrives rolled in a tube. Choose from multiple print sizes, papers, mats, and frames.

About Prints

All prints ship in durable cardboard tubes.

Fine Art America is one of the largest, most-respected giclee printing companies in the world with over 40 years of experience producing museum-quality prints.   All of our prints are produced on state-of-the-art, professional-grade Epson printers.

We use acid-free papers and canvases with archival inks to guarantee that your prints last a lifetime without fading or loss of color.   Paper prints include a 1" white border around the image to allow for future framing and matting.   Canvas prints include a 2.5" white border to allow for future stretching on stretcher bars.

Prints ship within 3 - 4 business days in durable cardboard tubes.

About the Image

Casey Stoner on Ducati by Paul Meijering

Casey Stoner on Ducati - realistic acrylic painting by the Dutch fine artist Paul Meijering - the Original painting is 120 x 190 cm and SOLD Casey Joel Stoner, AM, (born 16 October 1985 in Southport, Queensland, Australia) is a retired Australian professional motorcycle racer, and a two-time MotoGP World Champion, in 2007 and 2011. Many commentators, pundits, as well as former and current riders including Ben Spies, Andrea Dovizioso and Nicky Hayden, consider Casey Stoner to be the fastest and most talented rider to have ever raced a motorcycle.

About the Artist - Paul Meijering

Paul Meijering

For almost 33 years now, Paul Meijering has been active with the paint brushes. As a 17- year old inspired youngster he joined the Academy of Arts in Enschede (Holland) in order to receive a native training in drawing- and painting technique. At that time (1980) the tendency of the abstract was running riot, and to his dismay and disappointment Paul found that the trade of the ancient masters was merely 'old hat', the realistic art being disregarded and looked down upon. After two years of useless botchery, there was only one conclusion to draw: "get autodidact, be a self-taught person!" Paul then left the academy to work for a living, but at the back of his mind there always loomed the passion of his life: to paint. At his spare time...

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