Curandera Framed Print

Curandera by Manuel Abascal

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Curandera Framed Print By Manuel Abascal

Frame

Top Mat

Bottom Mat

Dimensions

Image:

6.00" x 8.00"

Mat Border:

2.00"

Frame Width:

0.38"

Overall:

10.50" x 12.50"

 

Print:

Curandera by Manuel Abascal - 6.00" x 8.00"

$10.00

Material:

Archival Matte Paper

$7.35

Frame:

111MBLK - Economy Rainbow Metal - Matte Black - 11 (111MBLK)

$13.24

Top Mat:

Arctic White

$6.15

Finish:

1/8" Clear Acrylic - Foam Core Mounting

$13.00

Assembly:

Assembly Charge

$12.95

Total:

 

$62.69

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Customer Service: 877-807-5901

(Call Any Time - 24 Hours Per Day)

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sculpture framed prints, stone framed prints, utah framed prints, alabaster framed prints, portrait framed prints, head framed prints, bust framed prints, face framed prints, sculpt framed prints, carved framed prints

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Fine Art America is one of the largest, most-respected custom framers in the world.   We stock over 250 different frames which can be used to create museum-quality masterpieces from any print.   All framed prints are assembled, packaged, and shipped by our expert framing staff within 3 - 4 business days and arrive "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.   Our wholesale buying power allows us to offer frame prices which are typically 25 - 40% less than retail frame shops.

About the Image

Curandera by Manuel Abascal

Curandera is a Spanish word, meaning healer. It was inspired in part by Black Mesa, New Mexico, a large, round sheer-sided mesa. There, long ago, Pueblo people successfully resisted conquistadors. The stone and Black Mesa share a similar profile. Long after Curandera was completed, I was informed of a similarity between it and the face of Geronimo, the legendary Chiricahua warrior and medicine man.

About the Artist - Manuel Abascal

Manuel Abascal

MANUEL ABASCAL -- Artist Biography I began creating stone artwork at my midlife, in the mid-1990’s, in the Northern New Mexico high desert. I amassed stones and tools to work with them at a place where there weren’t people to complain of the noise or stone-dust. I had a great amount of time alone. Artwork began emerging from the marvelous stones and my persistence despite my inexperience and many mistakes, and, each stone taught me something so eventually I discovered solutions to the challenges in my opportunities. I practice "direct" carving. This approach lets the stone guide the outcome of the work as I assist and observe the stone becoming its essence. (“Indirect” sculpting begins with a preconceived image, a drawing or a...

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