Ana Goldberger


#20 of 28


Eighteen Past Twelve Print

Eighteen Past Twelve Print By Ana Goldberger


Top Mat

Bottom Mat



8.00" x 6.00"


10.00" x 8.00"



Eighteen past Twelve by Ana Goldberger - 8.00" x 6.00"



Archival Matte Paper



Rolled in a Tube



Assembly Charge





Additional Products

prints, representational prints, sunflower prints, poincetia prints, plants prints, table prints, chair prints, cup prints, flowerpot prints, window prints, landscape prints


"Eighteen past Twelve" print by Ana Goldberger. Ships within 3 - 4 business days and arrives rolled in a tube. Choose from multiple print sizes, papers, mats, and frames.

About Prints

All prints ship in durable cardboard tubes.

Fine Art America is one of the largest, most-respected giclee printing companies in the world with over 40 years of experience producing museum-quality prints.   All of our prints are produced on state-of-the-art, professional-grade Epson printers.

We use acid-free papers and canvases with archival inks to guarantee that your prints last a lifetime without fading or loss of color.   Paper prints include a 1" white border around the image to allow for future framing and matting.   Canvas prints include a 2.5" white border to allow for future stretching on stretcher bars.

Prints ship within 3 - 4 business days in durable cardboard tubes.

About the Image

Eighteen past Twelve by Ana Goldberger

Flower pots, vases and bowl on a table, beside an armchair. On the floor, two pots with plants and an empty cup. Through the window, one sees a landscape with a tree.

About the Artist - Ana Goldberger

Ana Goldberger

ABOUT ME I am a Brazilian visual artist, a painter, mainly. I began painting by myself when c. 17 years old, when I saw a friend painting. Color had always been a major issue for me. When I saw that one could spread with a brush a large amount of paint on canvas – large when compared to colored pencils or pens – it was an epiphany! At first, there were non representational works, which provided me with an invaluable basis for handling color. Some years later, came representational paintings: color plus a meaningful line. Therefore I began to unite, to balance, form, drawing, with color. And often this color quite far from the actual color; and not by chance, I have always been partial to the “Fauves”. The stain, the line – in a...

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