Alan Daysh


#3 of 100


Hawk Over The Yar Valley Print

Hawk Over The Yar Valley Print By Alan Daysh


Top Mat

Bottom Mat



8.00" x 5.75"


10.00" x 7.75"



Hawk over the Yar valley by Alan Daysh - 8.00" x 5.75"



Archival Matte Paper



Rolled in a Tube



Assembly Charge





Additional Products

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"Hawk over the Yar valley" print by Alan Daysh. Ships within 3 - 4 business days and arrives rolled in a tube. Choose from multiple print sizes, papers, mats, and frames.

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All prints ship in durable cardboard tubes.

Fine Art America is one of the largest, most-respected giclee printing companies in the world with over 40 years of experience producing museum-quality prints.   All of our prints are produced on state-of-the-art, professional-grade Epson printers.

We use acid-free papers and canvases with archival inks to guarantee that your prints last a lifetime without fading or loss of color.   Paper prints include a 1" white border around the image to allow for future framing and matting.   Canvas prints include a 2.5" white border to allow for future stretching on stretcher bars.

Prints ship within 3 - 4 business days in durable cardboard tubes.

About the Image

Hawk over the Yar valley by Alan Daysh

This was painted in the Yar valley near Sandown on the isle of Wight, one of my favourite places to paint. It was a windy showery day and looking towards Brading down the hills were lit by a strong light under the clouds. The hawk always brings something timeless to a landscape and reflects the natural movement of the clouds and shadows driven by the wind.

About the Artist - Alan Daysh

Alan Daysh

I'm a landscape painter from the Isle of Wight, a small island off the south coast of England. The subject of all my paintings is simply the distance. The feeling of space when we stand in front of a landscape and look into the distance. The effect of the colours, tones and lines. I want to find the moment when we suddenly see something unfamiliar, something infinite. I paint in oils on small wooden panels. I like the way the smooth surface of the wood makes the paint drag and blend in unexpected ways. The colours also stand out more because the paint isn't absorbed so much as on canvas. I like to use just primary colours, 3 blues, 2 yellows, 2 reds and white. By blending everything only from the primaries it creates lots of subtle...

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