Madonna And Child Framed Print

Madonna And Child by Susan Lee Clark

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Madonna And Child Framed Print By Susan Lee Clark

The watermark in the lower right corner of the image will not appear on the final print.

Frame

Top Mat

Bottom Mat

Dimensions

Image:

6.25" x 8.00"

Mat Border:

2.00"

Frame Width:

0.38"

Overall:

10.75" x 12.50"

 

Print:

Madonna and Child by Susan Lee Clark - 6.25" x 8.00"

$15.00

Material:

Archival Matte Paper

$7.35

Frame:

111MBLK - Economy Rainbow Metal - Matte Black - 11 (111MBLK)

$13.44

Top Mat:

Arctic White

$6.15

Finish:

1/8" Clear Acrylic - Foam Core Mounting

$13.00

Assembly:

Assembly Charge

$12.95

Total:

 

$67.89

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Customer Service: 877-807-5901

(Call Any Time - 24 Hours Per Day)

Additional Products

mary and jesus framed prints, jesus christ and mary framed prints, religious art framed prints, st. mary framed prints, jesus framed prints, christ child framed prints, christmas card framed prints

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About the Image

Madonna and Child by Susan Lee Clark

To emphasize the relavance to our lives today, I choose to paint Mary and Jesus using modern portraiture style. I have researched the clothing styles and cloth production of their day, and have chosen a dye for Jesus garment made of readily available wild plant dye,. Mary I have depicted in white, as was common then due to the cotton and wools being mostly naturally white. The robes of men and boys were often striped, an easy pattern on a home loom, and women did not cover their hair, but kept it tied back or in a bun, not hanging loose as was the custom of prostitutes. Head coverings were mandatory for women in temple, but not for men, although men also had head shawls for prayer. Most of us are very accustomed to the 13th and 14th...

About the Artist - Susan Lee Clark

Susan Lee Clark

As an artist, I am awed by and in love with all of God's creation! Painting landscapes, portraits of people and animals, I try to depict the essence of that individual subject. Often I will take photographs before and after some quick sketches, jotting down notes on the sketch about the color, or feeling of the piece and then begin painting. But, with portraits, sometimes having the subject actually present is not possible. Then, I need to get to know the subject, through discussion with a person who did actually know, or through biographies, photos, old paintings. Before I paint an animal or a person or even landscape, I must know about them so that I may "capture the essence" of the subject. Just looking at a photograph is not...

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