Nikos Smyrnios


#3 of 20


The Twelve Olympic Gods And Dodekahedron Print

The Twelve Olympic Gods And Dodekahedron  Print By Nikos Smyrnios


Top Mat

Bottom Mat



8.00" x 5.75"


10.00" x 7.75"



The twelve Olympic Gods and Dodekahedron by Nikos Smyrnios - 8.00" x 5.75"



Archival Matte Paper



Rolled in a Tube



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Additional Products

platonic prints, dodecahedron prints, greek prints, gods prints, greece prints, philosophy prints, pantheon prints, digital art prints, apollo prints, aphrodite prints

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About the Image

The twelve Olympic Gods and Dodekahedron by Nikos Smyrnios

This work belongs to a series of three called "The Pantheon". Each side of the dodekahedron is dedicated to one of the twelve Olympian Gods and each work presents four of them. Here we see Apollo, Aphrodite, Zeus and Hermes. The conceptual idea of this work, consolidated once more by this publication, is already applied on three-dimensional polyhedrons. The dodekahedron is the one form that stood out from the other four platonic solids (tetrahedron, hexahedron, octahedron and icosahedron). Plato considered it to be the perfect polyhedron by which god sorted the universe and the constellations. Plato chose the other four solids to represent the fundamental universal elements (water, air, fire and earth). The Platonic solids became the...

About the Artist - Nikos Smyrnios

Nikos Smyrnios

Nikos Smyrnios was born in Greece but immigrated to Sweden in an early age. He studied on a state scholarship at Stockholm's College University of Art and Design (Konstfack), a school founded on the principles of Bauhaus and still considered the heart of Scandinavian Design. He graduated 1981, after completing a five year program in visual communication design. While studying, Smyrnios became fascinated by the abstract geometric genres of art, but at the same time, the dramatic sociopolitical and cultural climate of the 70s affected him strongly and held him connected to the representational art movement of critical realism. Since his first important exhibition at Kulturhuset in Stockholm (1983), he tried to find an efficient way of...

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