Toward Cannon Beach Canvas Print

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Bring your artwork to life with the texture and depth of a stretched canvas print.   Your image gets printed on one of our premium canvases and then stretched on a wooden frame of 1.5" x 1.5" stretcher bars (gallery wrap) or 5/8" x 5/8" stretcher bars (museum wrap).   All stretched canvases ship within 3 - 4 business days and arrive "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.

Stretched canvas prints look beautiful with or without frames.

Fine Art America is one of the largest, most-respected giclee printing companies in the world with over 40 years of experience producing museum-quality prints.   All of our prints are produced on state-of-the-art, professional-grade Epson printers.   We use acid-free papers and canvases with archival inks to guarantee that your prints last a lifetime without fading or loss of color.

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The first recorded journey by a European to what is now Cannon Beach was made by William Clark, one of the leaders of the Lewis and Clark Expedition wintering at Fort Clatsop, roughly 20 miles to the north near the mouth of the Columbia River in early 1806. The previous year, two members of the expedition had returned to camp with blubber from a whale that had beached several miles south, near the mouth of Ecola Creek. Clark later explored the region himself and from a spot near the western cliffs of the headland he saw "the grandest and most pleasing prospects which my eyes ever surveyed, in front of a boundless Ocean." That viewpoint, later dubbed "Clark's Point of View," can be accessed by a hiking trail from Indian Beach in Ecola State Park. That viewpoint is about 100 yards from where this image was made.

Clark and several of his companions, including Sacagawea, a Lemhi Shoshone woman, who accompanied the Lewis and Clark Expedition acting as an interpreter and guide complet...

Photography is all about using light to capture the emotion and beauty of a fleeting moment. For me, this adventure began with a single spring image using a small Kodak film camera of a freshly watered central Kansas ditch and has come full circle using modern digital techniques. My first camera was acquired by trading an ancient Royal typewriter to a fellow college student who was desperate to finish a term paper. It was a long time ago and that camera was my passport to an art that has fascinated me ever since. I owned and operated a professional studio in central Kansas for 20 years and moved to Colorado in 1994. Part of the studio's early success came from creating outdoor portraiture using controlled lighting...

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