Judith Birtman


#68 of 107


Waiting Print

Waiting Print By Judith Birtman


Top Mat

Bottom Mat



6.00" x 8.00"


8.00" x 10.00"



Waiting by Judith Birtman - 6.00" x 8.00"



Archival Matte Paper



Rolled in a Tube



Assembly Charge





Additional Products

prints, abstracted nude prints, using line and colors to help show line movement of the clay. the indentations and the area where the clay swell help produce the idea of waiting for her child to come. mounted on steel black base. prints

About Prints

All prints ship in durable cardboard tubes.

Fine Art America is one of the largest, most-respected giclee printing companies in the world with over 40 years of experience producing museum-quality prints.   All of our prints are produced on state-of-the-art, professional-grade Epson printers.

We use acid-free papers and canvases with archival inks to guarantee that your prints last a lifetime without fading or loss of color.   Paper prints include a 1" white border around the image to allow for future framing and matting.   Canvas prints include a 2.5" white border to allow for future stretching on stretcher bars.

Prints ship within 3 - 4 business days in durable cardboard tubes.

About the Image

Waiting by Judith Birtman

Stoneware clay, glazed rubbed into surface,Pitt fired with saw dust and live oak leaves to get silvery smokey tones. Acrylics also used as I paint on my clay as a canvas.

About the Artist - Judith Birtman

Judith Birtman

My works are powerful sculptural clay forms which I hand build, using clay coils, slabs, and altered wheel thrown elements. My Nudes are abstracted forms ,which show movement. My ideas come from landscapes, the hills, valleys the textures of the earth. I see tree forms that suggest a human form. I see the Nude forms in those terms. My sculptures have a feminine earthy quality. My Nudes are one of a kind. As I am building a form, I work on several at a time. I am using an African, South west form of working clay. Adding coils and slabs of clay and then paddling the clay to get the shapes I like. As these sculptural forms grow, one form suggests, ideas for the next form. I like to think they speak to each other. I fire my clay in a gas...

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