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Steven Cragg - Fine Artist
Member Since: 06/30/2011
May I express appreciation for your review and consideration of my photography.
The majority of my original images are captured with infrared sensitive modified cameras, and I always endeavour to present you with crafted calibrated images for fine art print.
All prints are exclusive original open editions. The 'Fine Art America' watermark will not appear on your final purchased print.
* I invite you to imagine how wonderful the actual ... not the 'virtual' prints are when displayed.
* If you require currency conversion - please go here (copy/paste/new window): http://www.xe.com
* If you would like a monochrome, sepia tinted or other size version of any image - contact me.
* If you are ordering a giclee print - may I offer you the following advice:
SOMERSET VELVET: Recommended. Radiant crisp whites with deep black contrasts. Powder/painterly colour. A high quality acid-free paper, with flattering texture, paper weight and stiffness.
INNOVA: Recommended. Great for watercolour images and monochrome. Smoother texture and more rigid solid weight (than Somerset).
COOL TONE: Recommended for monochrome (black & white) and vivid true colour. Smoother texture, heavier weight and stiffer (than Innova).
PREMIUM MATTE: Recommended. Crisp and high contrast, most suited to monochrome images. Smoother, thinner / lighter weight (than above papers).
EPSON SEMI-MATTE: An understated semi-matte paper, that minimises glare (for a semi-matte/gloss). Smoother, thinner / lighter weight (than above papers).
EPSON GLOSSY: Recommended. Luxuriant depth & vivd colour with an ultra-gloss finish. Smooth, with the same weight as Epson Semi-Matte.
CHROMATA WHITE GLOSSY CANVAS: This canvas stock recreates the texture and reflectivity of oil paint on canvas. Also very suitable for portrait photography, it is equally good for colour or monochrome. It has a consistent symmetrical small dot 'weave' canvas texture.
All photographs are original copyright property of Steven Cragg. All rights reserved.