Vanity Art

Harold, Do I Smell Too Crabtree & Evelynish? Drawing

George Booth

We've Embarked On A Minority-hiring Program Drawing

Robert Weber

What's Next For Ed? Drawing

Roz Chast

New Yorker December 22nd, 1997 Drawing

Jack Ziegler

Know Thyself Drawing

William Steig

May I Remind You That Until Quite Recently Drawing

Jack Ziegler

New Yorker November 18th, 1996 Drawing

Warren Miller

New Yorker November 11th, 1996 Drawing

Peter Porges

Westport Grunge Drawing

Charles Barsotti

As A Matter Of Fact Drawing

Donald Reilly

The Self Is One's Chief Interest Drawing

William Steig

Egomaniac Drawing

William Steig

New Yorker November 26th, 1990 Drawing

Bernard Schoenbaum

New Yorker April 29th, 1991 Drawing

Robert Mankoff

New Yorker August 24th, 1992 Drawing

Jack Ziegler

We Find The Defendant Very Telegenic Drawing

Mischa Richter

Gee, You Didn't Mention Your Wart Drawing

Warren Miller

Let's Face Drawing

Robert Weber

Harold Insists On Doing All His Own Stunts Drawing

Robert Mankoff

My, Oh, My! What A Fascinating Guy You Are Drawing

Robert Mankoff

Morning, E.j. Great Hat Drawing

Robert Weber

It Still Looks Just A Little Too Much Like - Drawing

William Hamilton

Here Comes God's Gift To Central Park West Drawing

Edward Frascino

Z Z Cop Drawing

Michael Crawford

New Yorker October 9th, 1995 Drawing

Roz Chast

New Yorker January 11th, 1993 Drawing

Warren Miller

Sir, A Couple Of Barneys Suits To See You Drawing

Bernard Schoenbaum

New Yorker March 23rd, 1992 Drawing

Edward Koren

Sexy, Yes. But Without Sleaze Drawing

Frank Modell

In The Last Few Months Drawing

Edward Koren

And, Finally, I Can Put This Charming Toy Plane Drawing

Michael Crawford

When Did You Stop Wearing Your Saxophone Pin? Drawing

Donald Reilly

Well, It Works For Susan Sontag Drawing

Bruce Eric Kaplan

New Yorker December 9th, 1996 Drawing

Peter Porges

I Decided To Spend The Money And Have My Legs Drawing

George Booth

Sorry About The Mask. I'm Always Afraid My Fame Drawing

Warren Miller

I've Had A Lovely Evening Drawing

Donald Reilly

I See Charlayne Hunter-gault Is Back Drawing

Robert Weber

New Yorker April 23rd, 1990 Drawing

Bill Woodman

It's From Moma. You've Been Accepted Drawing

Charles Barsotti

I Hope You Won't Be Offended If I Tell You That Drawing

Edward Koren

How Come I'm Never Hounded By The Press? Drawing

Mischa Richter

But Enough About The Dollar. Let's Talk About Me! Drawing

Lee Lorenz

Finally, Let Me Put To Rest The So-called Drawing

Robert Weber

Last Month, I Reached Mandatory Retirement Age Drawing

Joseph Mirachi

New Yorker August 18th, 1986 Drawing

Donald Reilly

My Not Wearing A Hairpiece Indicates To Others Drawing

Robert Weber

New Yorker August 25th, 1986 Drawing

Ed Arno

I Never Get Sick Drawing

Edward Koren

You Know Why You Like Me? You Like Me Because Drawing

Dana Fradon

This Gives My Confidence A Real Boost Drawing

Edward Koren

O.k., Let's Confront The Issues Of Masculinity! Drawing

Edward Koren

That's Good Old Ralph For You. Even When He's Drawing

Warren Miller

I Don't Read A Lot Drawing

Donald Reilly

New Yorker March 9th, 1987 Drawing

Al Ross

Nick Is In Here Drawing

Edward Koren

What'll Drawing

Jack Ziegler

Avery Has Total Recall. He Remembers Every Word Drawing

Robert Weber

Hurry Back. There's More Of Me Drawing

Dean Vietor

New Yorker April 28th, 1986 Drawing

Joseph Farris

So? Where Is He? Drawing

Al Ross

Self-portrait Drawing

William Steig

New Yorker November 21st, 1988 Drawing

Arnie Levin

Steer Clear Of That One. Every Day Drawing

Charles Saxon

You May Look Byronic Drawing

Ed Fisher

Say, We Pandas Are Cute! Drawing

Joseph Farris

I Don't Know Why Mcgillicuddy Is So Pleased Drawing

Lee Lorenz

New Yorker September 28th, 1987 Drawing

Charles Barsotti

Has Anyone Noticed Your Healthier Drawing

Edward Frascino

To The Rich Drawing

Joseph Mirachi

Edgar Just Had His Picture Taken By Richard Drawing

James Stevenson

This Isn't The Real Drawing

Robert Weber