Iron Eyes Cody Homage The Big Trail 1930 The Crying Indian Black Canyon Arizona 2004 #1 Canvas Print

Corner Detail: Stretched canvas print with 1.5" stretcher bars and mirrored image sides.   Also available with black sides, whites sides, and 5/8" stretcher bars.

Bring your artwork to life with the texture and depth of a stretched canvas print.   Your image gets printed on one of our premium canvases and then stretched on a wooden frame of 1.5" x 1.5" stretcher bars (gallery wrap) or 5/8" x 5/8" stretcher bars (museum wrap).   All stretched canvases ship within 3 - 4 business days and arrive "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.

Stretched canvas prints look beautiful with or without frames.

Fine Art America is one of the largest, most-respected giclee printing companies in the world with over 40 years of experience producing museum-quality prints.   All of our prints are produced on state-of-the-art, professional-grade Epson printers.   We use acid-free papers and canvases with archival inks to guarantee that your prints last a lifetime without fading or loss of color.

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Iron Eyes Cody (1907-1999) was best known as "The Crying Indian" in the "Keep America Beautiful" commercial narrated by William Conrad (1920-1994).

He appeared in over 200 films from 1930 to 1987. His first film was as an extra in Raoul Walsh's "The Big Trail," which starred a 23 year old John Wayne.

Cody became enamored of all things Native American. While even looking Indian he was in actuality the son of Sicilian immigrants, with the birth name of Espera de Corti. He falsely claimed to be of Cherokee and Cree ancestry.

Cody played Native Americans in all his movies.

Cody also worked as a technical advisor on several films, with an Indian theme, including "The Great Sioux Massacre" (1965) shot at Old Tucson, Arizona.

Besides playing an extra in "The Big Trail," he was uncredited as a stunt man.

The 70mm "Trail" was expected to make a star of the then unknown John Wayne. It didn't, and Duke then spent nine years making ch...

I first became obsessed with photography and motion pictures while growing up in post WW2 Manila in the Philippine Islands in the late 1940's/early 1950's. Film noirs were a particular influence. But my first love remains the theater. I acted in numerous amateur productions from 1958 to 1978. In 1979 I earned a MA in drama from the University of Arizona; earlier getting a BA in English from the University of Minnesota, where I co-founded the first film society on campus and ran it for four years. While at the U of A, I studied with the master black and white photo essayist W. Eugene Smith (1918-1978) the last year of his life. I am the last person cited in Jim Hughes' definitive biography of Gene, as I wrote about attending his final...

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