Brigitte Bardot Painting 1 Canvas Print

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wall art canvas prints brigitte bardot french actress singer sex symbol marianne and god created woman fashion model jane birkin animal rights activist moviestar je t'aime moi non plus playboy nude beehive viva maria

paintings brigitte bardot french actress singer sex symbol marianne and god created woman fashion model jane birkin animal rights activist moviestar je t'aime moi non plus playboy nude beehive viva maria

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Bring your artwork to life with the texture and depth of a stretched canvas print.   Your image gets printed on one of our premium canvases and then stretched on a wooden frame of 1.5" x 1.5" stretcher bars (gallery wrap) or 5/8" x 5/8" stretcher bars (museum wrap).   All stretched canvases ship within 3 - 4 business days and arrive "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.

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Brigitte Bardot - Realistic acrylic painting of the former French actress Brigitte Bardot, painted by the Dutch fine artist Paul Meijering - The Original painting is 90 x 90 cm and for sale Brigitte Anne-Marie Bardot (born 28 September 1934) is a French former actress, singer and fashion model, who later became an animal rights activist. She was one of the best known sex symbols of the 1950s and 1960s and was widely referred to by her initials. Starting in 1969, Bardot became the official face of Marianne (who had previously been anonymous) to represent the liberty of France. Bardot was an aspiring ballerina in early life. She started her acting career in 1952 and after appearing in 16 routine comedy films, with limited international release, became world-famous in 1957, with the controversial film And God Created Woman. She later starred in Jean-Luc Godard's 1963 film Le M�pris. For her role in Louis Malle's 1965 film Viva Maria! Bardot was nominated for a BAFTA Award for Best Fo...

For almost 33 years now, Paul Meijering has been active with the paint brushes. As a 17- year old inspired youngster he joined the Academy of Arts in Enschede (Holland) in order to receive a native training in drawing- and painting technique. At that time (1980) the tendency of the abstract was running riot, and to his dismay and disappointment Paul found that the trade of the ancient masters was merely 'old hat', the realistic art being disregarded and looked down upon. After two years of useless botchery, there was only one conclusion to draw: "get autodidact, be a self-taught person!" Paul then left the academy to work for a living, but at the back of his mind there always loomed the passion of his life: to paint. At his spare time...

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