Herbie The Love Bug Painting Canvas Print

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wall art canvas prints herbie the love bug 53 volkswagen beetle disney herbie rides again herbie goes to monte carlo herbie goes bananas herbie fully loaded movie series film cinema driving racing stripes

paintings herbie the love bug 53 volkswagen beetle disney herbie rides again herbie goes to monte carlo herbie goes bananas herbie fully loaded movie series film cinema driving racing stripes

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Bring your artwork to life with the texture and depth of a stretched canvas print.   Your image gets printed on one of our premium canvases and then stretched on a wooden frame of 1.5" x 1.5" stretcher bars (gallery wrap) or 5/8" x 5/8" stretcher bars (museum wrap).   All stretched canvases ship within 3 - 4 business days and arrive "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.

Stretched canvas prints look beautiful with or without frames.

Fine Art America is one of the largest, most-respected giclee printing companies in the world with over 40 years of experience producing museum-quality prints.   All of our prints are produced on state-of-the-art, professional-grade Epson printers.   We use acid-free papers and canvases with archival inks to guarantee that your prints last a lifetime without fading or loss of color.

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Realistic acrylic painting by the Dutch fine artist Paul Meijering of Herbie - an anthropomorphic 1963 Volkswagen Beetle, a character that is featured in several Disney motion pictures starting with the 1968 feature film The Love Bug. He has a mind of his own and is capable of driving himself, and is also a serious contender in auto racing competitions. Throughout most of the franchise, Herbie is distinguished by red, white and blue racing stripes from front to back bumper, a racing-style number "53" on the front luggage compartment lid, doors, and engine lid, and a yellow-on-black '63 California license plate with the lettering "OFP 857". - The Original painting is 90 x 120 cm and for sale

For almost 33 years now, Paul Meijering has been active with the paint brushes. As a 17- year old inspired youngster he joined the Academy of Arts in Enschede (Holland) in order to receive a native training in drawing- and painting technique. At that time (1980) the tendency of the abstract was running riot, and to his dismay and disappointment Paul found that the trade of the ancient masters was merely 'old hat', the realistic art being disregarded and looked down upon. After two years of useless botchery, there was only one conclusion to draw: "get autodidact, be a self-taught person!" Paul then left the academy to work for a living, but at the back of his mind there always loomed the passion of his life: to paint. At his spare time...

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