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Heroes Of The Alamo Lobby Card 1936 Julian Rivero Collage Color Added 2012 Acrylic Print featuring the photograph Heroes Of The Alamo Lobby Card 1936 Julian Rivero Collage Color Added 2012 by David Lee Guss
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Heroes Of The Alamo Lobby Card 1936 Julian Rivero Collage Color Added 2012 Acrylic Print

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Description

Heroes Of The Alamo Lobby Card 1936 Julian Rivero Collage Color Added 2012 acrylic print by David Lee Guss.   Bring your artwork to life with the stylish lines and added depth of an acrylic print. Your image gets printed directly onto the back of a 1/4" thick sheet of clear acrylic. The high gloss of the acrylic sheet complements the rich colors of any image to produce stunning results. Two different mounting options are available, see below.

Ships Within

2 - 3 business days

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About Acrylic Prints

Mounting Option #1

Mounting Option #2

Bring your artwork to life with the stylish lines and added depth of an acrylic print.   Your image gets printed directly onto the back of a 1/4" thick sheet of clear acrylic.

The image is the art - it doesn't get any cleaner than that!

All acrylic prints ship within 3 - 4 business days and arrive "ready to hang" with four aluminum mounting posts (Option #1) or hanging wire (Option #2).

The high gloss of the acrylic sheet complements the rich colors of any image to produce stunning results.

There are two different ways to mount your acrylic print.

Option #1 (Mounting Posts) - Attach your print to your wall with four aluminum mounting posts.   The cylindrical cap of each mounting post can be removed, allowing you to thread a small screw along the center axis of the of post and into the wall.   When you're finished, simply reattached each cap, and you're done.   The mounting posts act as stand-offs and keep your print separated from the wall by 1".   All of the required mounting hardware (i.e. posts, screws, and wall anchors) is included with your print.   Click here for mounting details.

Option #2 (Hanging Wire) - With this option, your acrylic print is attached to a 1/4" thick black board which has a wooden frame and hanging wire attached to the back.   There are no metal mounting posts at the corners.   Simply put a nail in your wall, hang your print from the hanging wire, and you're done.   Due to the thickness of the black board and mounting frame, your print is separated from the wall by 1.50"   Click here for mounting details.

Acrylic Print Reviews (936)

Average Rating (5 Stars):

December 5th, 2018

This is the one that started it all... The artist here is nothing short of awesome!

December 3rd, 2018

I was born and raised in Ventura then moved to Montana in 1993. The harbour is one of the places I visit every time I come home. One of my happy places. My co-workers all love this picture hanging in my office.

November 30th, 2018

Love it

November 30th, 2018

Was a bit disappointed with size wanted larger but my mistake picture was very good will remember size next time .

November 28th, 2018

Thankful to have this portrait of a memorable family event! Thanks!

November 28th, 2018

Beautiful!

Artist's Description

"Heroes of the Alamo" (1936) is a low budget independent production, bought by Columbia soon after its release. Julian Rivero got one of his largest roles in a half century career in movies. The low budget, independently made production was bought by Columbia only months after its first release, which should make this original lobby card a collector's item. Rivero is billed sixth. Most of Julian Rivero's (1890-1976) roles in the silent era were uncredited, including his first, "The Bright Shawl" in 1923; also the first film of future gangster Edward G. Robinson (1893-1973) 

In 1927 he played a gangster henchman (still uncredited) in Josef von Sternberg's "Underworld.1957). 

 In 1934 Rivero was uncredited (as a telegraph operator) in the Howard Hawks' directed "Viva Villa."

 That same year he had his largest role as Tony the mechanic, with an Italian accent, in the Mascot serial "Burn 'Em Up Barns." 

And also in 1934 he played Esteban (uncredited) in the firs...

About David Lee Guss

I first became obsessed with photography and motion pictures while growing up in post WW2 Manila in the Philippine Islands in the late 1940's/early 1950's. Film noirs were a particular influence. But my first love remains the theater. I acted in numerous amateur productions from 1958 to 1978. In 1979 I earned a MA in drama from the University of Arizona; earlier getting a BA in English from the University of Minnesota, where I co-founded the first film society on campus and ran it for four years. While at the U of A, I studied with the master black and white photo essayist W. Eugene Smith (1918-1978) the last year of his life. I am the last person cited in Jim Hughes' definitive biography of Gene, as I wrote about attending his final...

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All acrylic prints ship from our production facility within 2 - 3 business days of your order.

 

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