The Shroud of Turin or Turin Shroud (Italian: Sindone di Torino, Sacra Sindone) is a linen cloth bearing the image of a man who appears to have suffered physical trauma in a manner consistent with crucifixion. It is kept in the royal chapel of the Cathedral of Saint John the Baptist in Turin, northern Italy.
The image on the shroud is commonly associated with Jesus Christ, his crucifixion and burial. It is much clearer in black-and-white negative than in its natural sepia color. The negative image was first observed in 1898, on the reverse photographic plate of amateur photographer Secondo Pia, who was allowed to photograph it while it was being exhibited in the Turin Cathedral.
The origins of the shroud and its image are the subject of intense debate among scientists, theologians, historians and researchers. Scientific and popular publications have presented diverse arguments for both authenticity and possible methods of forgery. A variety of scientific theories regarding the shroud have since been proposed, based on disciplines ranging from chemistry to biology and medical forensics to optical image analysis. The Catholic Church has neither formally endorsed nor rejected the shroud, but in 1958 Pope Pius XII approved of the image in association with the Roman Catholic devotion to the Holy Face of Jesus.
also present is the Co-Redemptrix
June 16th, 2012
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