SAN ROCK ART REPLICA FROM SITE PS3 MANKELEKELE RANGE.
This reproduction is exclusive to Wildimages who are the sole outlet for the work done by husband and wife team Ray and Sharon Harris. Apart from this, there is no – one else that produces this type of what they term 'Historical Conservation Replication Art'. Availability of these unique replicas are limited.
Each replica will be shipped to the buyer with a full explanation of his/her purchase as well as a certificate of authenticity. Replica's will be placed on this site as they become available, but interest can be expressed by e mailing the artists direct at email@example.com
This exclusive replica was done by artist Sharon Harris – It was done on site, at a site which was discovered by the artist and her husband Ray in their journeys around little visited areas of Southern Africa. They are only prepared to say that the cave from which this art originated was located in the Mankelekele range of mountains in the Lowveld area of the South Eastern Transvaal. The reason for their secrecy of the site is that sites that become known are quickly plundered by ‘collectors’ who invariably destroy the art during inept attempts at removal. This is a sad state of affairs as few people if any will be able to enjoy the originals in their natural environment. At least, in this reproduction, one has the opportunity to view and appreciate this hidden treasure!
In this replica, there are older paintings of bi chromatic images of Eland antelope, over – painted with much more recent human figures. The human figures seem to be engaged in hunting and foraging.
The face of the stone used for this reproduction, was the surface of the sedimentary geological action that prepared the rock for how it would ultimately look. This sort of geological action is usually in the form of a stream or pan where shallow water flows gently over the surface, spreading fine sediments in layers that are eventually covered and compressed for eons. During the formation of these sediments, anything that caused a disturbance on that surface during the drying period, was often solidified along with the sediments.
In the case of this particular rock, a general disturbance over the whole surface is evident, pointing clearly to different rates of water flow where fines were interspersed with heavier material. The times of heavier flow have worn the surface unevenly giving rise to an interesting and unusual texture. There is also evidence of different periods where the surface was dried prior to a subsequent water flow. If you use a magnifying glass, you will see small flakes of mica as well as tiny specks of alluvial gold dust in the fines. The yellowy colour suggests higher percentages of chrome and iron dust inclusions that have oxidised over time.
It is quite intriguing that such seemingly insignificant weathering actions, so many hundreds of thousands of years ago could be captured geologically. Yet, as insignificant as that action may seem, it opens an interesting window to the far past and allows us comparisons which give us clues as to the changes (or lack of them), that have taken place between then and now!
One of the projects Ray and Sharon Harris have embarked on, is the reproduction of original artworks done thousands of years ago by the San people (Bushmen) artists.
The intention for this part of their project has been to produce this stone-age art-form in such a manner that it looks and feels like the real thing. Their motive for this undertaking was to prevent irretrievable damage to the original works that inevitably results when such works are harvested for collectors.
Bushman paintings are widely distributed throughout Africa, usually in remote areas in caves or rock shelters.
Bushman rock art has unfortunately up to now, generally been the domain of archaeologists and anthropologists, with the exception of a handful of people who recognized the value of this art, who came to love it and wished to protect it for future generations. In addition, it is due to the very nature of their art, being immobile and rendered in remote locations that people to seldom encounter it. Although many photographs of these paintings have been taken, they have proved to be inadequate as the observer’s eye at the site usually sees more than a camera can reproduce. As such, a few artists have previously attempted to fill in the photographic gap, using different methods of tracing and redrawing. In every case however, neither tracings nor photographs have produced either the realism or the feel of these wonderful historical artworks.
Because of this, Ray and Sharon began reproducing them on specific rocks. They chose to source rocks from the Magaliesburg range as, not only is it the most ancient of mountain ranges in Africa, but the wonderful colours, patterns and textures found within those rocks lend to the original painting, and also ensure that each and every artwork reproduction is in fact an original in its own right. The trouble taken to do this, has been because they believe the San chose their 'canvasses' carefully, and indeed, many of their paintings have been worked into features that appear on the rock. Of course as it is impossible to replicate the rock surface as well, and so rocks were selected that reflected a close comparison, or for having interesting features.
Your reproduction is far more than just a copy of the original work – since it is done as accurately as possible, it is a record that will soon be unique if the destruction of the originals go on at the pace they have. Many originals have been destroyed by collectors attempting to chisel them out of the rock (unsuccessfully), or due to natural processes like water leaching and lichen growth, or simple mindless graffiti. As such, you can expect your reproduction to become of very real historical value in the near future.
Those who purchase a Bushmen painting will receive further information that will open the door to a wonderful world that few have the privilege of enjoying.
The size of this reproduction is 220 x 260mm. The reason for this sizing is that it is the optimum size for such reproductions and that it is also a convenient size for shipping purposes.
This reproduction is far more than just a copy of the original work – since it is done as accurately as possible, it is a record that will soon be unique if the destruction of the originals go on at the pace they have. Many originals have been destroyed by collectors attempting to chisel them out of the rock (unsuccessfully), or due to natural processes like water leaching and lichen growth, or simple mindless graffiti. As such, you can expect your reproduction to become of very real historical value in the near future.
August 6th, 2009
Viewed 23 Times - Last Visitor from Sunnyvale, CA on 08/13/2017 at 9:55 AM