This original painting is currently for sale. At the present time, originals are not offered for sale through the Fine Art America secure checkout system. Please contact the artist directly to inquire about purchasing this original.
Three Eagles was a Nez Perce Indian of the late 19th and early 20th century, said to be an associate of Chief Joseph. The image in this painting is based upon the 1910 photograph taken by Edward Curtis, in Curtis’s work to document the Native American people and their lifestyle, before that lifestyle had completely disappeared.
But actually, by the time the photograph was taken (the photograph is part of the American Indian Collection housed at Northwestern University), the life and lifestyle of the Indians who lived on the North American continent long before it was “discovered” by Europeans, was already decimated, and many people were relegated to reservations. For the Nez Perce, this initially meant time at a reservation in Oklahoma – far, far from their land in the Pacific Northwest, and resulting in high mortality, both in the process of getting there, as well as in the effort to live there in conditions that were not free, dignified, nor good.
It’s an odd thing, when we think about portraits, we too often associate them with “important people” – like presidents or heads of state, although in our lucid moments, we should ask why a particular position in government accords one person more importance in the world’s eyes than others.
Three Eagles is a portrait of a person who is not a president or an emperor, a statesman or an ambassador, a financial magnate nor a businessman, and indeed, we know little about Three Eagles – who he was, and how he lived. But his is a portrait worth painting, because his is a face that has seen much pain, experienced much in life that is perplexing, carved by time and experience.
Three Eagles, the artwork, is a reminder to us – not only of a history of shame promulgated by a government and people of finance who literally ran a people into the ground – but also that all people are of value, and though we can do nothing about what was done in the past, we can look at the faces we see around us today, and accord our human brothers and sisters dignity and respect.
Featured in 44 Fine Art America groups.
Third Place Winner in the Miles to Go Before I Sleep contest, sponsored by the Fine Art America Based Masters Advocacy group -- May 2020
March 20th, 2018
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