Citroen 2CV AZU 1957 Painting Canvas Print

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Bring your artwork to life with the texture and depth of a stretched canvas print.   Your image gets printed on one of our premium canvases and then stretched on a wooden frame of 1.5" x 1.5" stretcher bars (gallery wrap) or 5/8" x 5/8" stretcher bars (museum wrap).   All stretched canvases ship within 3 - 4 business days and arrive "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.

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Fine Art America is one of the largest, most-respected giclee printing companies in the world with over 40 years of experience producing museum-quality prints.   All of our prints are produced on state-of-the-art, professional-grade Epson printers.   We use acid-free papers and canvases with archival inks to guarantee that your prints last a lifetime without fading or loss of color.

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Realistic acrylic painting of the Citroen 2CV AZU Van, painted by the Dutch fine artist Paul Meijering - the Original painting is 120 x 90 cm and for sale

The Citroen 2CV (French: "deux chevaux" i.e. "deux chevaux-vapeur" (lit. "two steam horses", "two tax horsepower") is a front-engine, front-wheel-drive, air-cooled economy car introduced at the 1948 Paris Mondial de l'Automobile and manufactured by Citroen for model years 1948-1990.

Conceived by Citroen Vice-President Pierre Boulanger to help motorize the large number of farmers still using horses and carts in 1930s France, the 2CV is noted for its minimalist combination of innovative engineering and utilitarian, straightforward metal bodywork � initially corrugated for added strength without added weight. The 2CV featured a low purchase cost; simplicity of overall maintenance; an easily serviced air-cooled engine (originally offering 9 hp); low fuel consumption; and an extremely long travel suspension offering a sof...

For almost 33 years now, Paul Meijering has been active with the paint brushes. As a 17- year old inspired youngster he joined the Academy of Arts in Enschede (Holland) in order to receive a native training in drawing- and painting technique. At that time (1980) the tendency of the abstract was running riot, and to his dismay and disappointment Paul found that the trade of the ancient masters was merely 'old hat', the realistic art being disregarded and looked down upon. After two years of useless botchery, there was only one conclusion to draw: "get autodidact, be a self-taught person!" Paul then left the academy to work for a living, but at the back of his mind there always loomed the passion of his life: to paint. At his spare time...

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