Diprosopus Canvas Print

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Bring your artwork to life with the texture and depth of a stretched canvas print.   Your image gets printed on one of our premium canvases and then stretched on a wooden frame of 1.5" x 1.5" stretcher bars (gallery wrap) or 5/8" x 5/8" stretcher bars (museum wrap).   All stretched canvases ship within 3 - 4 business days and arrive "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.

Stretched canvas prints look beautiful with or without frames.

Fine Art America is one of the largest, most-respected giclee printing companies in the world with over 40 years of experience producing museum-quality prints.   All of our prints are produced on state-of-the-art, professional-grade Epson printers.   We use acid-free papers and canvases with archival inks to guarantee that your prints last a lifetime without fading or loss of color.

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This is a painting on Filipino-American identity crisis represented by various visual elements.
The American flag and Philippine flag have been deconstructed as the background. The three stars of the Philippine flag can be seen mixed with other stars. The sun is found in the window with the rice farmers. The sun casts its light on 2 figures that still retain their Filipino identity.
The paper boat and plane represents travel. Filipinos travel to the land of the stars and stripes to pursue their American dream. The egg under the stars and the stripes represents ‘Filipinos’ who were born in the US.
The man wearing a barong with an eagle on his arm represents a newly arrived Filipino still nurturing his American identity.
The man with the glasses is blind and is still searching for his Filipino identity since he was born under the stars and stripes.
The man wearing a coat, native backpack, wearing native slippers, with a plate of burger, fries and sapin-sapin has foun...

I paint visual narratives. I try to create stories with themes that range from the blissful to the brooding. Typically, my compositions are laden with common and personal symbolism. My works seem to have disconnected elements but they are in fact linked in the way that I see them. To the audience, however, they are like puzzles; open to varied personal interpretations. I don’t like to confine myself in a box. Some days I paint social commentaries. Other days I just paint my personal observations of issues that pertain to almost anything under the sun - this can be political, social, environmental, religious, cultural, and even agricultural. I try to paint realities in, out, and of life. Early in my career as a painter, I was mostly...

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