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Four Shapes On Black Background Greeting Card featuring the painting Distraction Abstraction by Betty Pieper

Boundary: Bleed area may not be visible.









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Distraction Abstraction Greeting Card




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Image Size



Our greeting cards are 5" x 7" in size and are produced on digital offset printers using 100 lb. paper stock. Each card is coated with a UV protectant on the outside surface which produces a semi-gloss finish. The inside of each card has a matte white finish and can be customized with your own message up to 500 characters in length. Each card comes with a white envelope for mailing or gift giving.

Ships Within

1 - 2 business days

Ships From

Charlotte, NC

Front View

Back View

Inside Message

Type a message, above, and you'll see what it looks like on the inside of the card, below.

Inside View

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Comments (5)

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Yes! Look at the homepage of Abstract Expressionism. It's overwhelming how wide language gets in the hands of an abstractly gifted artist, and yet it communicates so directly to many who could never make something like that.

That comment wasn't clear. I am speaking about what I feel from this wonderful new ? work Betty.

Betty Pieper replied:

Chana, I got it! I was just reading a book about a week at an ashram and much in the mode of wider "communicative language". So thanks again.

great composition and colors, well done!!! vf

Betty Pieper replied:

Thanks a million, Kim. I want to visit your site.

A singular characteristic of Abstract Expressionism for me is that it defies logic, like a zen koan, speaking an indecipherable yet fully communicative language. This is what thatś about, for me. f v

Splendid and dramatic abstract!

Betty Pieper replied:

Thank you so much, Dakos!

About Betty Pieper

Betty Pieper

Betty Pieper received her first set of oils at the age of ten and has been painting ever since. Her work has been selected by prominent jurors for prestigious regional and national exhibitions and is owned by people throughout the country. Before the age of five, Betty had lived on Dean Street in Brooklyn, on Forsythe Street in Manhattan, on an estate in Westchester county, and with her grandparents in rural New York. She watched her father build their house nearby only to sell it and announce a move to California. In San Bernardino she lived in a trailer park and later in a rural farmhouse without running water, then in an historic mansion with an Indian cellar. How did this itinerant childhood influence her art? "I learned...

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