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Landscape Greeting Card featuring the painting Dusk At The Refuge by Jim Gola

Boundary: Bleed area may not be visible.

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Dusk At The Refuge Greeting Card

$4.45

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Description

Our greeting cards are 5" x 7" in size and are produced on digital offset printers using 100 lb. paper stock. Each card is coated with a UV protectant on the outside surface which produces a semi-gloss finish. The inside of each card has a matte white finish and can be customized with your own message up to 500 characters in length. Each card comes with a white envelope for mailing or gift giving.

Ships Within

1 - 2 business days

Ships From

Charlotte, NC

Front View

Back View

Inside Message

Type a message, above, and you'll see what it looks like on the inside of the card, below.

Inside View

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Comments (2)

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Another hot painting Jim, paint what you feel...........the results are beautiful! . ........Joe

This is wonderful!i love it!i was also thinking of trying to select min colours.the result of your work is amazing

Artist's Description

�Dusk at the Refuge� 12 x 16, Oil on Masonite, 2006 was a break out of the box thing for me. This painting is as simplistic a scene as I had painted up to this point in time. I have since then been experimenting with keeping my landscapes as pictorially �pure� as possible while using a minimum number of colors. My goal in this was to give the impression of the use of a full palette. It seems to me this can be done by using more color values and less colors. By keeping the contrast of my work on a relatively more intense side, I think I was able to achieve this. The past few years I have noticed that my work is becoming more intense when in reality my initial intention was to keep my palette toned down. Oh, the human mind, who can know it? It just can�t keep us in check.

About Jim Gola

Jim Gola

Born in Philadelphia in the late thirties, Jim Gola grew up heavily influenced by art and the cultural atmosphere contained in this bustling city. The city of brotherly love is still a thriving east coast art market that comprises some of the oldest art schools and galleries in America. Jim admits to spending numerous hours at the Pennsylvania Academy of Fine Art and the Philadelphia Museum of Art as a youngster. Admiring much of the work of Americas past masters such as Inness, Moran, Chase, Homer and Bierstadt, among others. He then started to generate his lifelong love of oil painting. Moving to Oregon in the early sixties, while free lancing in art, Jim was introduced to the field of architecture. Upon receiving commissions to...

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$4.45

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